Saturday, April 11, 2015

Ritual of the World Warp and Preparing to Do

     Someone once told me that one of the things that made people unique among living things is that we had the ability to contemplate the nature of our own minds.  The brain - if we assume our identity exists within that - thinks about itself.

     That type of reflection comes with the logic that there forever remains things to think about - have you ever quite been able to put the questions of yourself to rest?  So you can spend your whole life with your brain and your body and still not grasp them entirely. This is fine when we engage with life responsively.  Why think when reaction takes care of the greater majority of our needs?  

     The problem arises when we need to focus.  Let's accept for the sake of argument that the meme of us existing in an age of severely reduced attention spans is true.  We lock into fluid streams of information but no longer are as inclined to derive context, express balanced criticism, analyze, sympathize and innovate upon.  We need drugs for this or to be born with a genetic predisposition for obsession or stubbornness.  We are driven constantly to consume rather than co-create.  

     Engaging the faculties of the mind needed to execute a vision and execute it consistently is a process that appears to me to be like Bruce Wayne becoming Batman.  You consider something iconic and inhuman and utilize that form to disinherit your wayward nature (e.g. 'I'm indpendent,' 'I take care of myself,' 'I'm a hustler,' 'I'm positive,' 'no excuses,' etc.). You try to reclaim a more simplistic way of living - one that empowers the directive you've set for yourself.  But really you are embellishing a narrative that you wish you could react to in only very few ways.  You try to force the behavior by reading a book, or listening to a tape or criticizing and distancing yourself from others or reading your 10 steps of this or that to bind yourself to an ideal that is strict. You set standards that are restrictive and uninviting and you call it discipline. The trick is to collapse your range of responses and convince yourself it is good to freely remove your right to behave freely.

     But the human mind is transcendent and our emotional range is vast.  The minute you entertain an investigation of these depths, you gain a momentary perception of the void.  Self-control, or lack of it, is the clue.  Why are we tempted to do things we don't value? Why don't we value the things we know we must do? Why is freedom such a desperate nerve for us?  Why are our emotions so much more influential than the thoughts that we can actually interpret properly?  Could it be that denial of this expanse of meaning is not only unnatural but harmful? If we all thought and felt a little more and accepted what was there, what might be the exponential outcome?

     Limiting is the first suggestion for those who attempt to use common language to teach success:  "Don't think too much,"  "keep it simple stupid," "don't put the cart before the horse," "describe it in one sentence," "give me bullet points . . . "

     Is that really what they did?

     I believe they miss the point. These ideas try to encourage us not to confuse the issue.  But it could be that the issue really is grand. Writing is not just about writing after all.  It says something about who we are.  Exercising or starting a business or taking up a musical instrument is a choice devised from a rainbow of influences rolling around deep within ourselves.  These decisions are uniquely created, regardless of their outward similarities with others.  Connecting with the spiritual history within inclinations is surely a route to true commitment because that effort requires self-acceptance and that requires forgiveness and that requires love.

    You could do worse things than honor yourself when you commit to a practice.  But how can you know it is an honor if focus is about eliminating what others will tell you confuses the issue?  If the issue is really that deep, and you have taken the time to understand why, then conviction is yours.

   I tried an experiment the other day when I was trying to get through page 3 of my first short story in this new chapter of my life. I was dealing with my pension for distraction. This takes the form of restlessness, talking to myself, pacing, sleepiness, and obviously the temptation to check my Twitter feed among other things.  My interest and my focus kept being pulled away. When I began being reproachful, the anxiety poisoned the experience and creativity diminished. I had to do things the hard way and no shortcuts.

     I first considered my surroundings. I took in my room.  I took in the encroaching furniture and the clutter of papers and cameras and loose clothing.  I took in the fact that this is the space I grew up in. I felt my shame and investigated it. What I found is that I actually had a great deal of options in which to determine the fault. I knew that accepting responsibility was the honorable choice but accepting myself was honestly the more nurturing. That's what I needed to work: I needed to understand I was still worth it.  

     This was a choice not to wallow in shame. It got in the way. The next step was to handle the aesthetic of my environment. It's one room for 30 years of child to man (I did move away for about 6 years and had to return after my last official employer laid off most of the staff in bankruptcy).  I closed my eyes then and imagined each wall replaced with those of a sprawling loft looking upon the city skyline.  I imagined the warmth of the uncluttered summer sky on my skin blasting through ceiling high windows and radiating off a minimalist and clean space ripe for serious work and social affairs.  Most importantly I imagined it mine.

     The funny thing about that dream: the new environment really didn't impact the nature of the work or the weight of its responsibility.  As I turned my attention to the writing desk of my well-earned metropolitan palace, an old familiarity and perhaps an old ache returned and not much else mattered - not the sunlight and not the heights - just the page. The lesson there is that the craft of any great dream is elemental and indifferent to circumstance. That craft's relationship with focus is no less different.

     Things are not inherently simple because we take in the entire universe with our eyes, imagine all the world's comfort in an instance and recoil at discomfort with every moment.  Something important has to be at the root of labor and the return to the fields - something as vast as all the reasons to refuse the call.  Sitting down to page 3 was all about remembering how much fun I thought this would be as a kid. Forming the world and a path through it was all about a character I was getting to know and had the freedom to know intimately up until the same forgiveness for her faults that I claim for myself.  The healing soothed the effort.  

     Not breaking that connection was a matter of the consistent choices I made to stick with it.  But here's how: all our interests and preoccupations divide a singular pool of energy that we distribute each day. Some distributions carry over and create stress for their stagnation. The discipline enacted here was the conscious emotional reclamation of other distributions of energy, other pools, and coursing them back toward the deepest well with whispers already commanding my attempt to try and urging me to succeed. Let's walk it through:


  1. At my laptop with the document open and my hands on the keys (getting here used to be the hardest part)
  2. My tablet alerts me to a Facebook update
  3. I catch the intrigue and wonder if I can create it within the next paragraph of my story
  4. I hit a wall and wonder if I can use that as a break to catch up on movie or industry news
  5. I use the desire to read and reapply it to reviewing my story so far
  6. My cat approaches with repeated requests for attention
  7. I gently remove him from my space and close my door realizing that all my children need love and in their appropriate time
     I am a writer and that means accepting that I write when a non-writer would likely be doing something else.  I write fiction and that means when I could be writing besides fiction (including this blog unfortunately) I find my home in developing a new world.

     There are no immediately available comprehensive definitions for focus if you were to just look it up.  But imagine the joining of several different rays of light into a powerful lazer.  The lazer becomes stronger as the beam intensifies through its concentration. Likewise you must at first leech the emotional energy already existing in your roster of distractions to empower your cause.  Turn the blade.  Look at your distractions favorably as they indicate the other places where your energy has pooled and then become selfish with that energy for your goal in the moment.  It's a deliberate process.  Your mind must be awake and energize.  You must have sleep for this and food in your stomach.  And being conscious this way is exhausting by the end of the day but we all know that anything you do long enough appears to get easier. 

     The meditative practice for this is to swap your emotional relations around.  Imagine feeling about work the way you feel about a lover.  Imagine feeling the way you do about your living conditions, the way you do about a growing garden.  You can swap anything you like. The imagination is your empire.  Then take this practice into the moment of your execution and free the vastness of your mind to settle upon your determination without reservation. In this way everything you have is pulling for this one thing that you've decided to do over a long term. You'll know its working when the days fly and the work, and it's inevitable complications, become familiar and seemingly effortless.

The actual craft of writing itself is a muscle that gets good with practice and reflection. But the beginning is all about masterfully operating the energy with which you charge that practice. It is not simple and you must forgive yourself the complexity of a being that will never truly know itself. That takes an immense amount of compassion but the most courageous actions will grow from it. I believe this will prove the heart of my success and the same for all those who consider themselves sensitive people.

-C

Tuesday, April 7, 2015

Dreams Run Amok

     I had a dream with my cat.  Her name is Domino.  She's a little less than a year old - mischievous but very kind.

     I had a dream that her dopplegangers were sneaking into my home and pretending to be her but not very well as I could tell when they were all together that something had gone wrong.  Some of them had chrome fangs and some of them were all white instead of pinto-colored as domino is. They varied in size and they all seemed quite dismissive of me.  Their eagerness to be in my home and immediately find their hiding places was the most unnerving.  I couldn't watch them all and there were signs of intelligence.  It gave me a sense of the gremlins.

     When I was telling my mother about it, it occurred to me that the threat I imagined could easily have been real.  A new bloomed in my mind about a woman, a spinster, who is being manipulated to front for an invasion of demons.

     I really want to write this.  The campier, the trashier, the better.  I owe no one!  The problem: I got up and sat down and there were youtube tutorilas and my twitch page and e-mails and facebook AND a reflection of myself in a mirror just behind my laptop reminding me how utterly human I am.  I'm only on page 3 of my first short post college, I still have at least half a dozen to edit and post and a bunch of other things to do which I'm tired of reminding myself.

     How did a genetic make-up come about with a combination so awkwardly ambitious?  I hold my face a lot.

ON SETTING ASIDE TIME

     What a beautiful strategy.  They don't tell you growing up that even when you're told things you don't really know them till about 20 years later.  At least no one told me - the epiphanies I've been having, my goodness!  Consciously adapting such a simple idea is the luxury of not being in a third-world country, being at war or being stricken with a chronic illness.  I get to sit here on my ass and think . . . for hours.  And to think there is a rich history of brilliant and industrious men building our nation.  But what the hell was wrong with them?

     I don't mean they were bad people.  But how does a human being come out industrious?  It's absurd.  Highly valuable yes but also absurd.  There are imbalances everywhere and we are supposed to be the crafty navigators of the treacherous oceans of ideology and personal culture.  How's it done if you are a sensitive person?  A writer writes, but apparently he also complains a great deal.  Sorry for that.

     For me there is yet to be a substitute for the time spent crafting original content. It is what it is.  Slug it out.  The war must simply be waged, season by season and inch by inch.  And it saddens me that I've somehow made it three decades on this world without yet honestly determining my ability to successfully engage these wars.  That's what frightens me.  It's so easy to commit in just about every other way then the way you've been pointed.  Knowing this means accepting that discomfort is the waypoint of progress. And if I must choose progress, and how I can I not when mortality is certain, then discomfort must become my new aphrodesiac . . . like miserable foreplay followed by the grim determination of a preposterous act of fornication BECAUSE in the end art is actually very hard work. Consuming it is fun, but making it sucks.  And that's what dreams get you: a familiar bitch of a place to belong.

     With that said, I will go dark on social media save news of releasing my shorts, videos and Twitch casts.  And reopen engagement when the well dries up (or simply when I need it to). Wish me luck!

- C

Monday, April 6, 2015

Speed and Endurance (Blog, Write Fiction, Twitch, Edit Video, Produce Films erday)

     I'm temporarily not including photos anymore in my blog.  I'd pull stuff off the images tab in google that I felt would help explain a point.

     Time sync.

     I don't want to be lazy so I'll probably get back to it but seriously, time is friggin' precious.  So much work.  I think I'm going to have to clock in 70-80 hrs a day and keep a time card, just to make sure I'm being as proactive and efficient as I can be.

    I am a disorganized SOB and distracted as F*ck!  My short story is only a page in cause I had a massive brain fart just trying to get started.  I believe there is a legendary moment in a writer's life where writing fiction becomes more or less familiar.  Pfft.  But here's hoping.

    Meanwhile, two more stories have arrived on the Imagination Train:  1) A fable about a peasant girl who loses her queen's crown in the woods where a hidden fairy empire exists and threatens to keep her forever from returning home.  2) A smaller short about a boy who's been playing with a carnivorous alien in his room without his mom knowing and the one night where the boy unwittingly explains to the alien the value in eating everything possible to grow and get strong.

    The first story was a test my girlfriend gave me to put her to bed in practice for having a daughter that would, on the fly, ask me to tell her a story.  Unfortunately my gf fell asleep before I could finish the story so I know most of it up until the climax and then it gets fuzzy.  The 2nd story, with the alien, is based on a recent recurring nightmare.  This is maybe the first nightmare in 20 years that is recurring and where I end up actually being eaten in the end (thought I don't share the same space as the boy until that moment).  It's also similar in ways to the short I'm writing - a familial issue spliced with some seemingly imaginary but actually dangerous circumstances apparently overlooked at the top level.

      It's exciting as long as I can keep these keys moving fast enough to stay in pace with the wave of ideas and I really do intend to write them all.  To think I almost convinced my gf to spend $50 on a web-developer program on Udemy.  But honestly, I gotta work what I have and make my own cash.  That's what this is all about and I really have to stay focused.

     So it looks like I'll have to set an initial goal for to actively promote my website.  I got my first follower on Twitch last night.  While that's growing I can maybe write the first 10 shorts and 2 intro chapters to my leading ideas for serialization - including Ronin Soul (which I haven't formally introduced).  Then I'll switch focus to revisiting and re-editing (alhaogha;oa;owe;awofnh!!!!!) my films from college, after which I'll remix my twitch highlights from Dragon Age: Inquisition.  From there I'll make room for my Youtube program intro and writing my business plans...

     But first, I'm gonna drink this big cup of coffee on the throne and think about absolutely nothing because sometimes that's about the only thing that makes sense.

-C

P.S. Oh yeah, speed and endurance: That's where this should all be headed.  If I come anywhere close to achieving this as an independent professional - well I might finally start believing I'll deserve any of the rewards I've seen out there waiting for people like us.


Thursday, April 2, 2015

On consolidating an online presence

Every major site with social elements has a community with profile linking and supported commenting.  They encourage usage, debate, feedback and even to platform these sites for your own ventures.

How much of it is a gimmick and how much of it serves practical use? I can't say.  All I know now is that it's completely exhausting.  I'm tired of combing through personal photos for profile images but I suppose the more you do it, the more you start to develop a mind for it.

I've begun writing a "scary" story about a young girl who's being encouraged by a mysterious being to push people in front of trains.  I haven't committed to writing fiction in a long time and wow, this s serious business.  The amount of time I've spent staring out of the window, pacing in my room and doing just about anything else, including writing this blog entry, should have really made for some progress but getting through just the first page of world-setting was like pulling teeth.

In my distraction, I veered off to twitch.tv again (which is probably why common advice is to turn off the internet and the electricity if you can manage it).  I decided to look more carefully at how streams are growing.  There's a lot of styling and branding that has to be accomplished.  Certain sayings become memorable, certain colors become iconic of the player, and a look is usually immortalized via cartooning or digitizing of the player.

I doubt I can do a proper drawing without first putting a major investment in training myself in that craft but maybe with some more photoshop tutorials an short term and doable idea will come to me to place-hold until I can get some help.  In the mean time, just improving my commentary is about all I can focus on during the show.

Additionally there's this highlight business which allows me to export clips from my cast and then put them on youtube.  What I haven't figured out yet is the best way to pull a voice-over or what images I want to bookend the clips with to better brand what I'm offering.

On top of that I'm still sorta slacking in putting in serious editing time on my movies and my crafting my opening video introducing the "Build-It! Transmedia Project" which is pretty much this type of information but visual and more entertaining.

I'm learning lots and progress is really slow at the moment.  But one thing is for certain: there are no shortcuts.

- C


Wednesday, April 1, 2015

On release from the wheel

Good evening,

Fiction writing for novels is different from the script format in that a writer can return to the senses and wayward thoughts of the character.  

For adaptations to screen this is awesome because it gives you solid footing for shooting with subtext in your composition and gives your actors a great deal of insight into the motivations moving them through a given scene.  I feel like true adaptations are provided with a great deal of heavy lifting from the source narrative.  That's why I want to keep the craft growing alongside anything else.  It can double the work but if the original story is good, at least people can read it straight and find something in it.

I was thinking about this because it's only at the end of film school that I've finally begun to see how my mind visualizes information.  Through the early part of my college career where it was all about the creative writing courses, we were going deep into literature and the words themselves carried the ruling potency.  Sure they created images but the images were flashes, abstract, and usually combined with other types of stimuli like smells and touch.  Now I can see scenes when I want to and that's pretty cool.

As an example: I recently wrote a very 'stick-it-to-the-man' e-mail to a big group of students that were once part of my constituency as film society president.  In that I alerted them to a host of issues I'd recently dealt with prior to my resignation, including duplicitous faculty, obstruction, undermining language, just a slew of issues that distracted from getting the work done until eventually the loophole was uncovered that came with a threat ending my resignation.  I'm so happy to get that stuff off my chest.

While I'm writing of course all I can envision are all the people I'm pissing off. Before the work probably would have stuck pretty close to the flow of the keys but now there are visual associations like these people with real titles and shit...I'm in my room at my laptop but I'm very much with their faces closely observing the way they contort and grimace before my loose-lips syndrome. It's like getting up close to a JHS bully in slow-mo, able to really observe the humanity in the eyes of someone too much of a villain to recognize that they are one; both human and a villain.  It's all justified and what's most sad is that I probably could've easily crossed over to the dark side at many points in my life given the right circumstances.  The appearance of something like righteousness is just a weird occurrence.

I don't know what happens to people when they finally get a salary or benefits . . . I mean we all need them but we're so afraid to lose them too.  And then you become your salary and your benefits and you act as an agent in defense of the system that provides them.  Freedom is abandoned and I can't say if the alternative is necessarily worse.  But, for now, in the absence of money I've found a type of allowance to explore my potential and my voice.  Apparently I'm good at thinking and analyzing and using those thoughts to make people in "powerful" positions uncomfortable.  Well, school faculty isn't really a good test for that but relative to me as a recent student, it sure felt intense.

I'm glad to let go of that madness.  I'm glad to have a brief time, even if I'm joke-broke, to fool around in my imagination and see what's inside.  I can't wait to share something done - like really DONE.  Then I'm gonna get smashed!

- C
--------------------------------------------------------------------------------------

Story inbound: Thirteen year-old Mary is aloof, antisocial and a bit morbid.  Her parents are patient, her 11 year-old brother oblivious.  Her imaginary friend Norn is however quite skillfull in tutoring young Mary how to push unsuspecting commuters before oncoming trains and getting away with it. When a chance witness takes off, Mary gives chase and unwittingly alerts a nearby patrolman to investigate with Norn silently in tow.

Monday, March 30, 2015

Sometimes you gotta put your own north star up there.




 Um...
 

shit.

I woke up a week ago and decided I was gonna be a content creator via this blog, youtube, twitch and vimeo (my gf encourages me to use colors...)

THE GOALS: 

  • write fiction for people who still like to read and don't mind reading from an amateur as long as the stories are cool
  • make movies I want to make for folks that can appreciate them [cheap or no-budget, but funny or thrilling]
  • play games and share that experience with folks that can dig it
  • do it all in a way where the products compliment each other
  • do it all in a way that increases my chances of being able to survive off this and contribute to a household CAUSE I'M 31 AND A COLLEGE EDUCATION = F*IN USELESS!
[Disclaimer: I went for a double major in creative writing and film production.  I understand, but I had hopes and I still believe it would've been useful if someone had explained you could build your craft outside of college without having to go into debt. Leave college for occupational therapy or accounting. Film Production especially put me in the $60,000 hole besides other expenses that built up while I was busting my ass on set.  I was naive and to stick it out was just me being stubborn.  But I didn't want to be called a quitter.  Lesson: Knowing when to quit is wisdom.  Too bad it tends to stem from hindsight.]





That's me ^ using the internets.  OBS WHAT?!



OBSERVATIONS
A few things have become immediately clear:  

    StreamingSetup
  1. The market is saturated but that doesn't mean it's saturated with entertainers.  If I'm going to make it, I've got to learn how to be clear, engaged and be entertaining.
  2. I need control over the stream.  Control might as well mean becoming a GOD-DAMNED ASTRONAUT (they're cool, just sayin)! And I'm going to need money.
  3. I need to remember what it was to enjoy video games and movies again.  Since college, production's become slave labor and video games are a source of guilt.  The audience this is built for is eagerly awaiting an escape and I gotta be able to find it myself.

BUT HOW (I really don't f*in know!)
This is an old blog. If you dare to read older posts prepare to be either bored, depressed, confused, or secretly consoled that you're not alone given pretty typical themes of awkwardness, searching or whatever.

I think I've been trying to tell my story in attempt to export accountability. That doesn't work. I wasn't offering anything in return. There are no solid answers or pathways.  You gotta cut through the brush.  You gotta lather up the sky and plant your own business up there.

My business now is the big thing, it's the thing we all want: do what we love for a living, be able to do it well and be fairly compensated for it. What's especially important to recognize here is that if I can pull it off, anyone can!

It so happens I'm just about as far from success as you can get without being a hobo. My personal TV is broken. My laptop is over decade old. I have nothing to invest in any new equipment or games and I have zero experience in broadcasting. The gauntlet's been set.
This is a dangerous situation.

--------------------------------
The rest of this week I'll be editing a few films I made in college and writing my video intro for my youtube channel. I'll also be revising some shorts stories I've written. I'll set a date now for uploading at least one short film Thursday and one short story Friday.  

Twitch streaming practice will begin late nights till about 3 or 4 am EST and Tuesdays from 5-9pm or so.

Thanks for reading and stay tuned.
- C



Monday, July 7, 2014

Emotional Risk is Finite Bloodletting

Image Credit:playalapa.com Morning Sunlight in the Jungle

 I don't believe there's a true image of the jungle we can uniformly rely upon.  The clearing up ahead we've been searching for is unanimously ominous by the time we realize how important it's become.  We've learned to do without it.  We've convinced ourselves that humility was God's greatest lesson.  And yet there it is.

Waiting long enough to understand it's not a reflective mirage beyond the haze of breaking light, but another pair of eyes altogether glinting across the clearing, is part of growing wiser.  We are our worst danger, both within ourselves and upon each other.  Simultaneously we need one another to learn and grow and to make better use of the efforts enlisted in our deep struggles.

I don't want to be writing at 1:11 AM.  I want to sleep.  I'm turning 31.  I'm not nearly as depressed as I was this time last year.  But I am conscious that the energy I've taken for granted all this time is definitely on allowance and the currency is far less than what it was when I was younger.  Either that, or I spent it all too soon satisfied with fantasy alone.
  
image credit:
http://images.forwallpaper.com/
It was always about dragon-slaying.  When I got up this morning, dragging my gut out of bed and washing my face with soap that didn't seem to be working on imperfections that never seemed to clear up and a nagging sense that the day was already wasted, it was very much still about dragon-slaying.  Some books call it resistance.  It's like there's this spiritual gravity which binds us from the freedom we believe is hidden in the world in the form of some destiny bound to a magical weapon meant for our singular wielding.

But the dragon never dies.  Both it and us reawaken to circle each other until the days have all gone and we're all but forgotten...

Why did I abandon this blog?  Two years ago it could've been any number of reasons: a bad breakup, loss of the dream, serious life doubts, you name it.  I've been broke and not being able to make money over an extended period of time is bound to have a psychological effect.  I'm not on meds because I'm too stubborn to stay consistent with the perpetual flow of doctor's appointments that take place after just the first.  I was so busy asking questions I didn't know that answering them was up to me.  I needed time.

Image credit: familyguy.wikia.com
But not writing wasn't the answer.  It has remained an important space for reflection and without it I've been numb to my own journey.  I'm not happy with the habits I've been repeating but I will talk about what good's been done today and what I might do better tomorrow:  I awoke this morning with a thought to accomplish, efficiently, an assignment due at my internship EOD by lunchtime.  Barring a small complication, that was accomplished.  I was able to use the remainder of the day to review several articles about the evolving freedom of filmmaker entrepreneurs in the age of self-distribution, review some interesting parallels in the music industry, and share these thoughts with a co-worker.  I'm not going to be interning for long, and it frustrates me that many of the professional staff are nearly 10 years younger than me while I'm just interning.  But I am happy to be in an environment where I can talk openly about my interests.

I came home to have dinner with a loved one, exercise, watch some Sherlock Holmes and there's a peace worth fighting for.  The only problem is the big job isn't done: a story teller must tell the stories, a producer must produce, and I think I'm going to skip my thesis film at Brooklyn College, graduate with my English degree, and move away from, what is to me, a needless expense that would only bury me further in debt with little to show.  I have too many stories half-baked in too many scribbles across too many half-used legal pads.  I long deeply for that sense of achievement and camaraderie a thesis engagement, but I truly feel what I'm putting aside is...well, life.  I need to move on and out of Brooklyn College and I need to do it before I lose my mind.

This weekend I should be performing location sound services for a short (26 pages!) paranormal action/drama pilot that a friend's pulled me on for no-pay.  I don't want to do it.  But I will because I've got a few of these left in me and sometimes bright young people just need a little help.  Where else can they get it if not from friends that believe in them?  As long as I can live in that world, I don't mind making a part of it.